Priyanka Tiwari
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Films often spark controversy, and some have even been banned around the world. One film, in particular, stands out for its extreme content—it was prohibited in 150 countries due to its shocking narrative and graphic scenes.
A Controversial Legacy
Released 49 years ago in 1975, this Italian film, Salò, or the 120 Days of Sodom, is considered one of the most controversial movies ever made. Directed by Pier Paolo Pasolini, the film is a political art horror piece that reimagines the 1785 Marquis de Sade novel The 120 Days of Sodom within a World War II setting. Notably, this was Pasolini’s final film, and it quickly became the subject of intense debate and outrage.
Disturbing Content and Dire Consequences
The film portrays the horrific abduction of children who are then exploited by Nazi characters. It graphically depicts acts of rape, murder, and brutal torture, including explicit scenes that pushed boundaries. These elements led to its widespread banning—Australia, for instance, kept it off screens until 1993 and then reimposed the ban in 1998. Adding to its troubled history, the director Pasolini was tragically murdered shortly after the film’s release, leaving him unable to defend his controversial work.
Notable Cast and a Disturbing Plot
The storyline revolves around four wealthy and corrupt individuals who kidnap 18 teenagers and subject them to months of physical, mental, and emotional torture. The film features performances by actors such as Paolo Bonacelli, Giorgio Cataldi, Uberto Paolo Quintavalle, and Aldo Valletti. Alongside them, Caterina Boratto, Elsa De Giorgi, Helen Serger, and Sonia Saviang played key roles, all contributing to the film’s chilling atmosphere.
Financial Success Despite the Ban
Despite—or perhaps because of—its notorious content, the film managed to outperform its modest budget. With production costs around 600,000 dollars (roughly 5.20 crores rupees), it is reported to have earned about 1.8 million dollars (approximately 15.60 crores rupees) internationally. Today, Salò, or the 120 Days of Sodom remains a stark example of cinema’s potential to provoke, disturb, and spark debate.
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