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Suspense crime, Digital Desk : Not for a film release, but because of her marriage with actor Vishal, Sai Dhanssonika's attention has been captured. In a press meet in Chennai, the couple openly saw that they would be marrying on August 29.  

Acting Career Start  

Starting in Thanjavur on November 20, 1989, Dhanshika took up acting from her late teenage, featuring in Manathodu Mazhaikalam *(2006)* which was directed by Arputhan. With Shaam and Nithya Das in vitcast, she was ccredited as Marina, so the film was too. And praised as it was.  

From here she protrayed in Maranthen Meimaranthen, Thirudi, and even had a stint in Kannan cinema in the guiseof Thanushika for the movie Kempa.  

Around this time, Dhanshika acted in Tamil thriller Peranmai alongside Jayam Ravi. After the massive hit in 2009, she was on every producers minds, as the film showcased one of her best performances till date being dubbed alongside industry fame Jayam Rave. The film was directed rather skillfully by Jananathan, where she played the role of a college girl alongside a tribe forest officer *(Jayam Rave)* and lshe was part of a college survival expedition in the junglies.  

Career shifts came in as Dhanshika joined Maanja Velu, Paradesi, but primarily focused on Kabali where she played Rajnikanth's daughter *(2016)*. In the movie, she starred along Radhika Apte which advanced her career in prolific cinema.

Right after a brief public criticism from T. Rajendar, Dhanshika’s career seemed to be in shambles but she miraculously managed to keep it all together. She made her foray into Malayalam Cinema with Solo, co-starring Dulquer Salmaan, and quickly made her Telugu debut with Shikamaru.

Rough Around the Edges but Rewarding

As of today, 35 year old Sai Dhanshika stands tall, her path carved from sheer determination and hardwork. She has branded herself as a versatile actor with commanding presence in regional cinema, and has a bank of small to big roles, in multiple languages undergoing endless shifts across genres, to her credit — a reality that seldom drowns out malacies of entertainment discuter.


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