
Suspense crime, Digital Desk : Hania Aamir, the upcoming Pakistani actress, sensationally became the latest target of memes on the internet after India’s abrupt cancellation of the Indus Waters Treaty. The decision followed the Pahalgam terrorist attack on April 22, which had already claimed 26 lives, further straining the war-like situation between the two nations.
The clip goes viral on all media platforms showing an Indian fan humorously packing waters in a box labeled “To Hania Aamir. Rawal Pindi. Punjab, Pakistan. From India,” a clear reference to Pakistan’s intake of water from the Indus River. The video has caused a stir on global platforms.
Hania Aamir fans from India sending Water bottles to her ????????pic.twitter.com/7U2GCmPIEF
— Sunanda Roy ???? (@SaffronSunanda) April 29, 2025
Users of social media are split over the controversial meme
Filling the box with water bottles, merriment reigns supreme among the fans, resulting in both support and backlash. As some claimed to be easy-going on a serious international quandary, a considerable part of the audience criticized the video given the deep meaning behind India pausing the treaty which is fundamental for Pakistan’s agriculture.
Hania Aamir Reportedly Dropped from Sardaarji 3
With the spike in diplomatic tensions, the issue of Pakistani artists working in Indian films is once again being revisited. Reports are suggesting that Hania Aamir who was set to play the female lead alongside Diljit Dosanjh in the forthcoming film Sardaarji 3 has been dropped from the film. Sources allege her dropping from the film may require some of the already shot material to be reallocated.
Hania Aamir Issues Support For Badshah
In what seems like the controversy surrounding the Pakistani entertainers is at its height, Hania Aamir was caught backing Indian rapper Badshah on Instagram as he premiered his latest music video Galiyon Ke Ghalib. The gesture of Pakistani artists and musicians during this time of crossing borders is striking and continues to show even in the face of overt condemnation.
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